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Georgian Era Plays and Playwrights

One of the rapid and bewildered growth during the 18th century was of the British drama and theatres. The growth was not only seen in the size of theatres but it was also visible in terms of entertainment, audience and the number of theatres.

When theatres began it was just a time pass for the wealthy audiences, but with the emergence of time, theatres were now becoming more popular as a source of entertainment for all. Theatres now were not only places for audiences, it rather became a medium for socializing and getting new gossips and news. Regardless of your social class, it became a place to be visited. Various forms of entertainment were offered apart from plays like ballets, tightrope-walkers, and acrobats.

Georgian Era Plays

Initially, the population of London was just around five million people which rose to nine million people in a span of 100 years. Many people migrated to nearby towns and cities in search of better opportunities. This led to the young generation to seek for more entertainment and which was provided to them by theatres and all those were part of it.

The Theatre growth

At the beginning of the century, only two theatre companies were granted by Charles II in London which were “Theatre Royal Drury Lane” in the West end and ” Lincoln Inn Fields” in the East. They were also known as “Patent Theatre” as they were allotted by the Royal Family which was dated 40 years before the Restoration.

Drury Lane Theatre
Drury Lane Theatre

But with the end of the 18th century, due to the large demand for play entertainment, the number of theatres were increased to seven which now consisted of

  • The Queens Theatre, Haymarket
  • The Little Haymarket Theatre
  • Goodman’s Fields
  • Sadler’s Wells
  • The Royalty

This was in addition to the extension to Drury Lane and Lincoln’s Inn Field which now means their audience capacity has increased to three thousand audiences for each play.

Art of Staging

In previous times, many boxes were kept alongside the stage. The forestage was kept quite large. With an increase in audience, the forestage was now made shorter and was pushed back to the proscenium arch. The Orchestra pit was also introduced where member playing orchestra were placed between the stage and the audience to increase the distance between them.

Advancement in Scenery, Lighting, and Acoustics

A technique called “Flats” was introduced to add depth to the scenes. The scenes were painted on the parallel wings and kept one behind others which make the performance more meaningful and attractive. This also allowed easier change of scenes, as the next scene was placed behind of present flat.

Initially, bright light was used for auditorium which was then changed to dark theatres emphasizing the use of footlights and sidelights on the actor for the focus on a particular scene or person while performing. In early 18th century candles and candelabra were used for lighting which was then replaced by kerosene lamps and gas lamps by the end of the century.

The oval shape of theatres was made for good acoustics and proscenium arch helped the actors to stay away from the noise made by the audience. The amplification of play was taken care of by the arched ceilings above the stage.

Georgian Audiences

Both rich and poor class people were there to enjoy the plays. The price of the ticket was varying which were a mixture of both cheap and expensive tickets. The wealthy aristocracy used to sit in boxes and the poor class people were made to sit at the top of galleries which were dirty and very hot. People use to consume food and alcohol in a large amount. They also kept with the rotten fruits and vegetables to be thrown at performance if they didn’t like it.

Georgian Era Leading Playwrights

Though the 18th century was not a golden age for playwrights, still the playwrights were equally talented. Many of the prominent playwrights who contributed to the writings of the plays of the Georgian era are

Richard Steele

The supervisor of Drury Lane Theatre was Richard Steele from 1714 to 1718. He mostly wrote comedy-drama. But he was also the first one to change the tradition of Restoration style drama to the sentimental drama which brought out the features of private life. He was the first writer of his kind to edit twice the monthly theatrical journal ” The Theatre”.

Richard Steele
Richard Steele

Nicholas Rowe

His plays were generally dramatic with romantic tragedies and those were performed mostly in the Lincoln’s Inn Field. He wrote

  • Tamerlaine in 1702 for Thomas Betterton
  • The Fair Penitent in 1703 for Elizabeth Barry
  • The Tragedy of Jane Shore in 1714 for Sarah Siddons.

He also edited Shakespeare’s Plays in 1709 and then produced the full edition of his plays and also helped in stage direction while dividing the whole play into scenes. In 1715, he was honored as the Poet Laureate.

Nicholas Rowe
Nicholas Rowe

John Gay

The writer of the most successful play “The Beggar’s Opera ” of 1722 was John Gay. He had a very good reputation and lived with a lenient lifestyle.  The Beggar’s Opera is not only Opera but it is basically a play with songs. It was the first of its kind of English Theatre which is now known as “Musical Theatre”. The play consisted of Italian Opera and it targeted the upper class and compared them to criminals. He also another popular play  “Libretto” whose music was composed by John Pepusch.

John Gay
John Gay

Some other Playwrights who became well-known with their masterpieces are

  • Oliver Goldsmith who wrote “The Good- Natur’d Man” in 1768 and “She Stoops to Conquer” in 1773.
  • Richard Brinsley Sheridan who wrote, “The Rivals” in 1775 and “The School for Scandal ” in 1777.